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ISBN 978-0-8126-9664-6

$19.95 $13.97
paper

288 pages

Spring 2009

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Radiohead and Philosophy

Edited by Brandon W. Forbes and George A. Reisch

Popular Culture and Philosophy series

Critics and fans agree that the British quintet Radiohead is not only the most musically innovative and influential rock band today—they are the most commercially and culturally relevant as well. Since their breakthrough hit "Creep" in 1993, Radiohead has continued to make waves throughout popular and political culture with its views about the Bush presidency (its 2003 album was titled Hail to the Thief), its anti-corporatism, its pioneering efforts to produce ecologically sound road tours and, most of all, its decision in 2007 to sell its latest album, In Rainbows, online with a controversial "pay-what-you-want" price. Radiohead and Philosophy offers yet new ways to appreciate the lyrics, music and conceptual ground of this highly innovative band. The chapters in this book explain how Radiohead's music connects directly to the philosophical phenomenology of thinkers like Maurice Merleau-Ponty and Martin Heidegger, the existentialism of Albert Camus and Jean Paul Sartre, and the philosophical politics of Karl Marx, Jean Baudrillard, and Noam Chomsky. Fans and critics know that Radiohead is "the only band that matters" on the scene today. But Radiohead and Philosophy uses philosophy to show why it is the only band that matters.